
“I always prefer Schumann in his vivace moods,” said Aaron.
“Do you?” said Lady Franks. “Oh, I don’t know.”
It was now the turn of Arthur’s wife to sing. Arthur seemed to get further away: if it was possible, for he was at the remotest remote end of the room, near the gallery doors. The Colonel became quiet, pensive. The Major’s wife eyed the young woman in white lace, and seemed not to care for lace. Arthur seemed to be trying to push himself backwards through the wall. Lady Franks switched on more lights into the vast and voluminous crystal chandelier which hung like some glory–cloud above the room’s centre. And Arthur’s wife sang sweet little French songs, and Ye Banks and Braes, and Caro mio ben, which goes without saying: and so on. She had quite a nice voice and was quite adequately trained. Which is enough said. Aaron had all his nerves on edge.
Then he had to play the flute. Arthur strolled upstairs with him, arm– in–arm, where he went to fetch his instrument.
“I find music in the home rather a strain, you know,” said Arthur.
“Cruel strain. I quite agree,” said Aaron.
“I don’t mind it so much in the theatre—or even a concert—where there are a lot of other people to take the edge off— But after a good dinner—”
“It’s medicine,” medicine said Aaron.
“Well, you know, it really is, to me. It affects my inside.” Aaron laughed. And then, in the yellow drawing–room, blew into his pipe and played. He knew so well that Arthur, the Major, the Major’s wife, the Colonel, and Sir William thought it merely an intolerable bore. However, he played. His hostess even accompanied him in a Mozart bit.
Aaron was awakened in the morning by the soft entrance of the butler with the tray: it was just seven o’clock. Lady Franks’ household was punctual as the sun itself.
But our hero roused himself with a wrench. The very act of lifting himself from the pillow was like a fight this morning. Why? He recognized his own wrench, the pain with which he struggled under the necessity to move. Why shouldn’t he want to move? Why not? Because he didn’t want the day in front—the plunge into a strange country, towards nowhere, with no aim in view. True, he said that ultimately he wanted to join Lilly. But this was hardly more than a sop, an excuse for his own irrational behaviour. He was breaking loose from one connection after another; and what for? Why break every tie? Snap, snap, snap went the bonds and ligatures which bound him to the life that had formed him, the people he had loved or liked. He found all his affections snapping off, all the ties which united him with his own people coming asunder. And why? In God’s name, why? What was there instead?
There was nothingness. There was just himself, and blank nothingness. He had perhaps a faint sense of Lilly ahead of him; an impulse in that direction, or else merely an illusion. He could not persuade himself that he was seeking for love, for any kind of unison or communion. He knew well enough that the thought of any loving, any sort of real coming together between himself and anybody or anything, was just objectionable to him. No—he was not moving towards anything: he was moving almost violently away from everything. And that was what he wanted. Only that. Only let him not run into any sort of embrace with anything or anybody—this was what he asked. Let no new connection be made between himself and anything on earth. Let all old connections break. This was his craving.
“Do you know, Watson,” said Holmes as we sat together in the gathering darkness, “I have really some scruples as to taking you to-night. There is a distinct element of danger.”
“Can I be of assistance?”
“Your presence might be invaluable.”
“Then I shall certainly come.”
“It is very kind of you.”
“You speak of danger. You have evidently seen more in these rooms than was visible to me.”
“No, but I fancy that I may have deduced a little more. I imagine that you saw all that I did.”
“I saw nothing remarkable save the bell-rope, and what purpose that could answer I confess is more than I can imagine.”
“You saw the ventilator, too?”
“Yes, but I do not think that it is such a very unusual thing to have a small opening between two rooms. It was so small that a rat could hardly pass through.”
“I knew that we should find a ventilator before ever we came to Stoke Moran.”
“My dear Holmes!”
“Oh, yes, I did. You remember in her statement she said that her sister could smell Dr. Roylott’s cigar. Now, of course that suggested at once that there must be a communication between the two rooms. It could only be a small one, or it would have been remarked upon at the coroner’s inquiry. I deduced a ventilator.”
“But what harm can there be in that?”
“Well, there is at least a curious coincidence of dates. A ventilator is made, a cord is hung, and a lady who sleeps in the bed dies. Does not that strike you?”
“I cannot as yet see any connection.”
“Did you observe anything very peculiar about that bed?”
“No.”
“It was clamped to the floor. Did you ever see a bed fastened like that before?”
“I cannot say that I have.”
“The lady could not move her bed. It must always be in the same relative position to the ventilator and to the rope — or so we may call it, since it was clearly never meant for a bell-pull.”
“Holmes,” I cried, “I seem to see dimly what you are hinting at. We are only just in time to prevent some subtle and horrible crime.”
“Subtle enough and horrible enough. When a doctor does go wrong he is the first of criminals. He has nerve and he has knowledge. Palmer and Pritchard were among the heads of their profession. This man strikes even deeper, but I think, Watson, that we shall be able to strike deeper still. But we shall have horrors enough before the night is over; for goodness’ sake let us have a quiet pipe and turn our minds for a few hours to something more cheerful.”
* * *
About nine o’clock the light among the trees was extinguished, and all was dark in the direction of the Manor House. Two hours passed slowly away, and then, suddenly, just at the stroke of eleven, a single bright light shone out right in front of us.
“That is our signal,” said Holmes, springing to his feet; “it comes from the middle window.”